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Filmography |
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"Bertellini moves with ease through social history, art history, anthropology, and theories and histories of cinema. . . . His work offers an important and unique scholarly treatment . . . fascinating reading for Italians, Italian-Americans, and general readers interested in the history, culture, and ideology of immigration." —Marcia Landy, University of Pittsburgh
"Italy in Early American Cinema is a terrific book: erudite, wide-ranging, and eye-opening. This is a must-read for anyone interested in the early cinema or in the complex history of Italy’s relations to the wider world." —Donna R. Gabaccia, University of Minnesota
"To read Bertellini’s superb book is to enter into an intense, rich, and intricately layered experience of Italian immigrant culture in the New York of the 1900’s and 1910’s." —Millicent Marcus, Yale University
Once associated with landscape painting in Northern Europe, the picturesque painting style came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Showing readers how this aesthetic traveled to America and was transferred from 19th-century painters to early 20th-century photographers and filmmakers, Bertellini moves from Western films and travelogues to urban melodramas featuring Southern Italians, the picturesque's original characters.
| Copyrights are protected under terms & conditions by the www.filmography.co.il website |